Monday, 23 December 2019

2019: The sewing year that didn't go to plan

I started this year with a lot of grand plans, which is not at all unusual: I tend to start every year with a lot of grand plans. On the sewing side of things, though, I have very little to show for those plans. I made very few garments this year, and even fewer of the things I made were at all interesting.  Here, then, is an abbreviated version of my usual lengthy end-of-year/start-of-year posts:

This Year's Sewing

Various things I made this year
This year I made:

3 pairs of PJ shorts or pants (my usual TNT patterns)
4 pairs of trousers (2 x Jalie Eleonore, 1 Ottobre pattern, 1 Burda pattern)
4 tops or tunics (2 Butterick, 1 Ottobre, 1 Simplicity)
1 cardigan (Ottobre)
Of these 12 items only one was really a total fail: a pair of cotton trousers that just never fit correctly. I abandoned them as a bad job after wearing them about 10 times in the late summer and autumn. So I got some wear out of them, but hated them throughout. I feel remarkably virtuous for having worn them 10 times. Strangely, however, the thing that I made and loved the absolute most was a pair of Jalie Eleonore trousers that I made from the exact same, marginally problematic, fabric. Just goes to show the power of a good pattern. I can overlook the fabric issues when I love the finished item, but the fabric was just another strike against the trousers I discarded.

I also finished one (giant) knitted scarf, and knitted three woolly hats.

The list of things I didn't do is MUCH longer. In my last post, I said I was going to make a suit. I ended up buying one, even though my RTW options were not what I wanted. I didn't sew a single pattern from this year's Burda magazines. I didn't get anything ready, really, for the hopefully-not-too-distant day when I go back to work.

Money, Money, Money

On the positive side, I also didn't buy much. I spent literally a third of my usual sewing budget, and about two thirds of my usual clothing budget (plus a suit, which fell outside my usual clothing budget because my personal finance system is arcane and stupidly complex).

The largest share of my money, as always, went on fabric. I spent 34% of my budget on fabric (plus a gift certificate given to me for my birthday that I have not included in this spending), and bought 30m of fabric in total. The rest of my budget went to my magazine subscriptions (22%), patterns (14%), and the remaining 30% went into a combination of "other", which this year included a subscription to Bluprint (Craftsy's subscription service) for several months, plus PR membership, and a small percentage of spending in each of the notions, knitting and embroidery categories. I have since cancelled Bluprint, because no way was I getting any kind of value from that subscription.

Alas, a lot of my "savings" from not buying tons of fabric went towards other, completely unrelated hobbies this year, especially books, so I don't have vast reserves of cash to show for my restraint!

The State of the Stash

I had actually hit stash equilibrium for the year -- 23m used, 23m bought -- when my brother sent me a gift card for a fabric shop and I went shopping. So I've ended the year 7m up from where I started. I just barely squeaked under the 200m in stash mark for the end of the year (198m). Needless to say, nowhere near the 50m decrease I proposed for the year, but given how little I sewed it's really not that bad as an outcome. At least I didn't keep shopping at my former rate while I wasn't sewing!

Acquisitions and Discards

This year I acquired 40 garments, of which 12 were hand-made, and the remainder were RTW. Of the 28 RTW items I added to my wardrobe, 21 were things I consider to be high turnover items (mainly t-shirts and exercise clothes), 5 were tailoring items (my new suit), plus 1 pair of jeans and 1 shirt given to me as gift.

That is the smallest number of garments I have acquired in a year since I started keeping records in 2014. I posted in the autumn about how it seemed like my ambitions for a hard-wearing, low turnover wardrobe had really coalesced this year, and I feel like this low acquisition rate is somewhat evidence of it. I just didn't need all that much new this year.

On the other hand, I discarded a whopping 59 garments, and my overall wardrobe declined in size by about 9%. Of these discards, just under half (28 items) wore out. I like to keep an eye on number of wears I get from my garments, and of the stuff that I discarded because it was no longer in good enough condition for my purposes, the average number of times I had worn them was 33 (range: 20-47). The number is skewed downwards by t-shirts and other knits that just don't have good longevity at all and only get 20-25 wears. This still seems really unsatisfactory to me, but I have not yet hit on a solution for the speed at which knits deteriorate that really works for me (the most obvious solution, stop tumble drying altogether, being unworkable in winter in my house -- I do line dry in better weather).

The other 31 discards were a mix of "why did I think this was a good idea" and "I liked this a lot a while ago but I haven't worn it in the last 18 months to 2 years" (average number of wears = 6, range 0 to 18). I really hate this category of discard and I wish this number were very much lower. That said, I'm now at the point where I have very few things in my wardrobe that have low wear counts (unless they're very new or clothes for the job I don't have yet) and I don't own anything I don't want to wear, so maybe 2020 will be the year where my discard rate will be more where I want it to be.

And that's it for me for 2019! I hope everyone has a wonderful last week of 2019, and best wishes to everyone for the new year and the new decade. ❤️

I'll be back in the new year with some plans for 2020, including planning an outfit for a family wedding and making some "business casual" separates.

Sunday, 6 October 2019

Making a classic suit: 1. The decision, resources and plans

Since I'm inching towards the point where I will be once again well enough to go out and work for a living (hurray!), I've started thinking in earnest about what I want to have in my workwear wardrobe. Before I need an everyday workwear wardrobe, though, I need to actually get a job. I will probably need to go to several interviews, and that means I need an Interview Outfit.

I haven't always worn a suit to job interviews in the past, but I definitely want to this time around. In addition to being an easy and totally uncontroversial interview outfit, my thinking is that a good suit is the sort of thing that, if you acquire a classic, timeless style and take care of it, you can keep in your wardrobe for a very long time with nobody really any the wiser that it's several years old. So, given my preferred colour palette for my wardrobe, and my preference for trousers over skirts or dresses, I decided my first step had to be to acquire a classic two-piece trouser suit in navy. (Tops to go with this suit to follow immediately after I acquire the suit!)

My backstop plan: buy a simple, classic trouser suit like this one from Damsel in a Dress (though not actually THIS suit because it's 100% polyester)
Initially, when I planned out my wardrobe in a spreadsheet, Plan A was to invest in a really high quality RTW suit. This plan has not gone well so far. One of my intentions for my new work wardrobe is to stick to mostly natural fibres, as far as possible. I was totally prepared to pay the extra for all wool or at least a high percentage of wool in the fabric. The problem is that I was kind of hoping the expensive wool suits I was looking at would have expensive finishing to match and... nope! Cheap buttons, crappy linings, not the best sewing.

Worse, of course, is that they often fit horribly. Again, I wasn't expecting miracles! I knew there were likely to be some fit issues in RTW. I just wasn't prepared for the EXTENT of the fit issues I was experiencing, and the fact that there are two pieces created even more complexity. For example, even when I found a jacket I actually liked, the matching trousers in that shop were just not designed for my body shape at all. I started looking into how much it would cost to get a suit tailored to me if I bought one and right around then I ground to a pockets-to-rent halt: £££ for the suit, and then ££ for tailoring and good grief, this was getting expensive and complicated, making it myself would be easier! ....Wait, what if I DID make it myself??

Worst case scenario 1: I end up with a wadder and no suit, a ton of time wasted, and probably a lot of fabric wasted. On the other hand, I'll still have the money that I originally saved to buy a suit, so I can just go back to my original plan and buy something and have it tailored if necessary. No doubt I'll learn a lot just from trying to make the suit, and I'm always here for expanding my sewing skills.

Worst case scenario 2: I make a suit but it ends up looking the worst kind of "home-made" or ill-fitting. Obviously if the suit I make is legitimately a Becky-Home-Eccy disaster, it's time to move on and again, I've still got the money and can buy a RTW suit if necessary. However, I've already made several coats and jackets. How much worse can this be? Plus, it's totally irrational to be afraid to sew something. It's just thread and fabric, and for sure I won't know if I can put those two things together successfully without giving it a try.

However, an important factor for me here is the comparisons I'm making. I think it's tempting to compare myself to the catalogue models on the websites where I'm shopping, or Pinterest images of women wearing suits, or to some mental ideal of "a perfect suit". The two former groups consist of women usually very much younger than me, with totally different body shapes, altered by who knows how much Photoshop, pinning, and camera trickery to make them look even better. My comparison has to be not to those women or my imagined ideal, but to the look and fit I can achieve in RTW on my actual body, and thus far the outcome of that has not been great.

So, having convinced myself to give tailoring a whirl, where do I start?

Fabric:

My fabric (sort of, my camera washes out the colour)
As it turns out, I already own some fabric that would be ideal for this suit. When I first started making clothes in 2012, I bought a LOT of fabric, not all of which I had any immediate use for. One of my purchases was from from an estate sale of an older gentleman who had been a tailor before he retired. He had in storage multiple "suit lengths" (3.2m, or 3.5 yards) of high quality, British-made, 100% wool suiting, and I bought 2 of them: one in navy pinstripe and one in a medium grey pinstripe. The fabric is far from new -- at least 35 years old and probably more -- and it almost certainly cost a lot of money when they were originally purchased. I got my two pieces for £5 each. I freely admit I have been hoarding this fabric because it was such an incredible bargain and I don't want to waste it, but that way lies madness and a stash that never stops growing. After marinading in my stash for 7 years, it's time to turn this fabric into clothes.

Fabric (again). This shot is much closer to the actual colour

What I don't have is suitable lining fabric(s), and doubtless I will need various interfacing products and other notions, but I'll need to make those purchases when I come to them later on.

Patterns:

The amount of fabric I have -- and the fact that absolutely no more is available -- does introduce a few constraints to the pattern selection process, but I was pretty sure I could find a jacket and trouser pattern that would fit together on 3.2m of fabric.

My sewing table while I attempted to find just the right blazer pattern
My first port of call in the search for a blazer pattern was my Burda pattern stash. I have already made several Burda coats and jackets, which gives me a head-start on my likely size and fitting issues, and Burda drafting has always been extremely reliable and consistent in my experience. The instructions leave something to be desired of course, but I'm already planning to go well outside the magazine for help on how to construct the blazer, so I don't really care all that much.

My specific requirements for the jacket were:

- Single breasted, with a full-length sleeve
- Designed to be about ~60cm long and to be a medium fit -- not very closely tailored, but definitely not oversized.
- A lapel that buttons below the bust -- not super low but, to minimise the appearance of my bust, below my (low) bustline
- Simple and timeless in design: understated collar, no fussy or unusual details, nothing that will date or stand out
- Suitable for a narrow vertical pinstripe (i.e. not going create a stripe vortex over my bust)
- Requires around ~1.6m of fabric.

You would think this would be easy, but while I had literally hundreds of patterns available in my collection of magazines, many of them have lots of design features. I wanted something really quiet on the design front, and that was oddly difficult to find.

Burda 03-2007-104 -- my proposed blazer pattern
This is the current front-runner. I'm already pushing the "timelessness" requirement, because it's from a 2007 issue of Burda. Honestly though, I feel like this pattern could have been released in a 2019 issue and I wouldn't blink at it. It doesn't look all that different to the current stock Damsel In A Dress suit in the picture above. My big concerns with this pattern at present are: the size of the collar (it seems undersized), making those pockets, the effect of that little Dior dart on the pinstripe and the location of the top button on my body.

(An aside: in trying to find the perfect pattern for this blazer, I ended up with a list as long as my arm for future blazers that don't need to be quite so classic and muted. If this is successful, I feel like it could be the gateway to a whole wardrobe of tailoring. That is the problem with going through my Burda collection: instant desire to MAKE ALL THE THINGS.)

Moving on to the trousers:

New Look 6080 line drawing

When I was doing the trouser block thing I compared my finished block with several commercial patterns I already owned, and I was struck by how similar New Look trouser patterns are to my block. Now seems like a possible time to use that information. Enter New Look 6080, a wardrobe pattern set that I bought originally for the jacket. View E though looks like just the kind of really simple, classic suit trouser pattern that I could see working with the blazer above. I wanted a side zip pattern -- no fly or pockets -- so that I could more easily add a lining to the trousers (both to make the trousers last longer and because wool is itchy).

My next step is to get my patterns traced and organised, make initial fitting changes, and run up a quick muslin of the entire suit. Unfortunate photographs in muslin suits to follow soon!

Know-How

Once I have a pattern that fits, the next problem is actually making the suit, particularly the blazer. There are a whole bunch of things that I need to explore, from interfacing and construction to practising welt pockets. I'm planning to lean heavily on the classes on Bluprint and the tailoring books I've bought. Probably I'll be posting a LOT more about this in the next few weeks.

Saturday, 5 October 2019

Autumn/Winter wardrobe additions

This year, I decided I needed that I needed 9 new items to round out my everyday/casual wardrobe for the rest of 2019.

My 9 items were:

1 cardigan

2 pairs of mid-weight trousers
2 pairs of leggings

2 longer-length woven tops
2 knit tunic/short dresses

I ended up buying the leggings rather than making them. I have a favourite, inexpensive RTW brand of leggings though that I find fit me the way I prefer and I don't think there's any benefit to making them vs. buying them in terms of fabric, cost, or fit.

That left seven items to sew, and these are the patterns I picked:

My autumn/winter sewing patterns
Trousers

I made the Burda and Jalie trousers from the same large piece of slightly brushed navy cotton stretch twill. I am going to be honest: I tried to take photos but it's a really dark navy and all you can see is like vague blobs, even with the exposure cranked up, so I will keep the photos to a minimum!

Let's start with something positive: I literally cannot express how much I love the Jalie Eleonore trousers. The fact that this is a great pattern is not news to anyone who was around when it came out, because the whole world and their sister made it and (mostly) liked it. I made the full length version, in plain navy, with the pocket add-on. I made very few fitting changes: mainly I straightened out the shaping along the inner thigh and did a knock knee adjustment.

They are not a perfect fit, but they fit probably the best closer fitting/stretch fabric trousers I've made so far, and the places they don't fit well (below the butt; above my calf muscles at the back in particular) are the same place every single pair of closer fitting trousers ever has wrinkled on me. I could probably have fewer wrinkles if I increased the width of the back leg from above the knee, but the wider leg changes the whole shape of the trousers so I haven't done so.

My one complaint about the Jalie Eleonore is actually about the pocket add-on. It's true, the add-on pattern piece does create a pocket. Alas, it makes one of those sad, vestigial, fingertip-deep pockets that are almost more annoying than no pocket at all. I will definitely adjust this when I make the pattern again.

The other trousers turned out MUCH less well and in some ways I am kicking myself for not just making a second pair of Eleonore trousers! The pattern I used, Burda 01-2007-108 is a simple straight leg pattern with a top entry pocket. I made this pattern before with only moderate success, but I hoped that using the trouser block pattern I drafted for myself earlier this year would help refine the fit. Alas, no.

Having traced out the pattern, I slapped on the trouser block and adjusted the pattern to match to the best of my ability. It turns out my best ability was not very good. I made some changes to the last version of my block on the crotch curve shape and got it wrong, and in the process of fixing that problem by sewing a new curve in the part-finished trousers I was making, I lengthened the crotch curve again. Since the main problem I have with Burda trouser patterns is that the crotch length is far too long for me, I actually resolved nothing. The trousers are also overall too big at the waist and leg, and slightly too short because I made a mistake with my hem calculation. It's a litany of disappointment, in short.

So far I've worn these trousers about a half a dozen times, but I can already feel myself defaulting to almost anything else that's clean in preference to wearing them. I'll see if I get a bit more wear out of them, but if not, eh, failed experiment, move on. 
Fly  of Burda 01-2007-108 trousers. Please forgive how wrinkly these look, I dragged them out of the ironing basket for a photo!
 All that said, I did do a few things really well: this is the "sewing course" pattern in this issue of Burda and, as unlikely as this sounds, the fly instructions are fantastic and the fly and waistband overall turned out really well. I must remember to photocopy the fly instructions for all future trouser-making activities.

Cardigan

Ottobre 05-2019-10 cardigan in blue ponte
This is a really quick and easy pattern from the latest Ottobre magazine. I had a problem with the front band, which was far too short when I cut it out. I didn't have enough fabric left to recut the whole thing, so I pieced in an extra section. Luckily, the uneven stripe and texture of this  fabric totally hides this "fix". At first I thought there was a problem with the pattern that caused this not to work. However, I have since seen at another review of the pattern and they didn't mention a problem so probably it was my fault somehow!

I like this cardigan (and strangely my mum really loves it) but I find it a bit shapeless and square, and I don't particularly like the way the collar sits at the  back neck. For sure I don't like it as much as my favourite cardigan pattern I've used a dozen times, the StyleArc Estelle.

Woven Tops

These are both tunic length tops, falling to about mid-thigh.

Butterick 5203 in navy patterned viscose


I have made up Butterick 5203 before, so making this version was simple. The pattern calls for a keyhole opening at the back and therefore a centre back seam. However, the neckline sans keyhole is more than large enough to slip over my head AND I have an irrational dislike of keyhole necklines (not even so much making them: I hate wearing them!) AND I hate chopping up large prints unnecessarily, so I just cut the back on the fold and omitted the keyhole. I love this top -- ultra simple to make, and it's just really pretty. I made it in  a lightweight viscose woven, which is an ideal fabric for this drapey, flowing top pattern.

Simplicity 2246 (view B) in navy and white gingham

The very first garment pattern I ever acquired was Simplicity 2246, a Lisette shirtdress pattern. I think everyone and their mother made it the year it came out (2012). My copy came on the front of a magazine, and I've hung on to it ever since as something I'd like to make. I'm not entirely happy with my version, but it's all right.

On the plus side: This shirt/tunic has a separate (rather than foldover) button band, and I am very pleased with my decision to put the bands on my version on the bias. I also bias cut the collar. My reasoning was about 80% practicality and 20% aesthetics. Mainly, I did NOT want to pattern match the gingham across all those pieces! However, the other problem was that the width of the finished button band was really awkward when compared to the width of the gingham squares, and I didn't like any of the alternatives I came up with for how to cut it (along a white stripe, along a navy stripe, half-and-half). Cutting it on the bias got rid of that problem entirely and also I think it's aesthetically pleasing to have the obvious vertical feature running down the front of the top.

Close-up of gingham shirt.

Minus side: The fit. As much as I like this shirt, it just doesn't fit as well as I would like. I needed a touch more ease over the waist and hip. It's not that it doesn't fit, exactly -- everything buttons up fine, nothing pulls -- but it's just a little bit closer fitting than I wanted for the outfits I had in my head. Still, it's fine, and since I am currently at the top of my normal weight range, there's a strong possibility it will fit more like I prefer as I fluctuate downwards again.

Knit tunics/short dresses

I like to wear leggings & longer tops on days when I am planning to spend all day at home. I therefore like to make soft, cosy knit tunics or short dresses to wear with them, to make outfits that are basically just a half-a-step removed from pyjamas but that are, at the same time, perfectly respectable if I have to answer the door or run to the post box. I tend to change up my patterns a lot -- I don't think I've ever made the same pattern twice in this category of garment.

This time I made a Butterick See-and-Sew pattern with a cowl neck and a slightly curved hem (Butterick 5870) and a very simple A-line skirted t-shirt dress from a recent Ottobre (Ottobre 05-2017-18).

Butterick 5870 in navy polka dot viscose/lycra knit. The cowl looks super awkward on Flossie and much nicer on a person
I like both of these a LOT but I actually have nothing at all to say about the construction, really. The Butterick dress turned out a little smarter looking than I entirely intended -- I can definitely imagine someone more into dresses than me wearing this just with tights out and about --  but it's really cute and I like it a lot. I'm really tempted to make the other view (which is the same dress in every respect other than the neckline, with is a V with a small scarf feature) next time I make a knit top like this. It was super easy to put together, and it's a great pattern.

Ottobre 05-2017-18, A-line skirted t-shirt dress in blue cotton-lycra knit
The Ottobre pattern was even easier as it's literally just a t-shirt dress and has no distinguishing features. I swapped out the long sleeves in the pattern for 3/4 sleeves, and I actually redrew the whole shoulder and armhole and used my own established tshirt pattern sleeve rather than the pattern, because why bother reinventing the wheel. I also lowered the neckline to a slightly deeper scoop as, as designed, this was rather high. I have to be honest: my version bears more than a passing resemblance to a nightgown. I think this might be improved by making this pattern up in a print rather than a plain pattern, but I don't think any t-shirt dress is ever going to be the most sophisticated of looks.

Overall, even though there are little problems with some of the things I made and I am not equally enthusiastic about  all of them, I am quite pleased with my wardrobe additions for the season. Some I've already worn a LOT, some of them have been waiting until the weather cooled down in October and I've only just started wearing. The definite star of the show though is the Jalie Eleonore trousers, which I love to pieces.

Next up: a wool suit! This is my BIG project for the autumn, and I probably won't have time to work on anything else at all for a while. I'm going to post more about it maybe tomorrow or Monday, so more details on this soon. :D

Wednesday, 11 September 2019

A wardrobe planning update/discussion

It's been ages since I wrote here, and that's mainly because I continued not to sew all that much for most of the spring and summer after my last post in April. I didn't sew, but I also didn't fall back on buying anything much new. It turned out that, apart from one garment that I made, I just really didn't want or need any more clothes for summer and was very happy with the things I already owned. This follows on from a similar feeling about my wardrobe last winter. In total I made about a dozen garments in the twelve months from August 2018, and I bought about the same number, excluding basic, high-rotation stuff like underwear etc.

Very long-time readers of this blog will know that I've been trying for a long time to figure out what my own ideal wardrobe would look like in terms of number and types of garments. I have spent a lot of time since I started sewing garments figuring out ways to keep track of what I actually wear day to day, why and when I discard garments, and also reading and thinking about other people's philosophies about wardrobe size and contents. If you're interested, you can see a lot of those previous posts under the tag "the planned wardrobe".

Over the last 12 months, I've really felt like I already have a really solid wardrobe. I think that's because the outcomes of thinking about my ideal wardrobe, the wear & discard tracking of my actual wardrobe, and the sewing I've done in the recent past, especially the improvements I've made in making garments that fit better and last longer, all coalesced into something really works for me over the last couple of years.

Feeling very satisfied with my wardrobe has been a theme for me over the last couple of years in my end-of-year reviews, as I've been more and more pleased with my clothes as my wardrobe planning ideas and sewing skills have evolved. However, the feeling that what I had was now so versatile and durable and made with such close attention to what I actually wanted to wear that it was almost perfectly sufficient for my current needs, without anything more being needed, is quite new.

Chambray wide-leg trousers using Ottobre 02-2006-10. They stretch out! They bag at the knee & butt! They fall down! I've worn them a LOT for a pair of trousers I actively despise. Also why am I wearing those shoes.
That's not to say my spring/summer wardrobe was perfect: there were some less-successful garments in there (including the one extra garment, a pair of chambray trousers that I sewed for this summer, which I wore plenty of times but found new reasons to dislike every time, see above). I've noted a couple of possible changes or improvements to my summer wardrobe plan for next year. A handful of things hit the limit of their usable life a little earlier than I hoped and limped over the finish line of summer, so I'll definitely need to replace them before the warm weather rolls around again. Overall, though, my late spring/summer wardrobe was very close to my ideal. It covered all the weather eventualities I experienced (a couple of weeks of ark-building levels of endless rain, a couple of brief heatwaves, plenty of middling-ish days), covered every type of activity from "lazing around the house" to "going out for a casual dinner", and it mixed and matched really well.

So, what has changed from previous years? I would say four things: First, I think, is the most interesting thing I've learnt about myself recently. I have always thought of myself, and described myself on this blog, as moderately novelty-seeking. I'm now pretty sure I'm not very novelty-seeking at all.

I think many people legitimately churn their wardrobes with lots of different items because they find it fun and interesting, and that's great for them, I have no argument with people who do that and sew 100 garments/year in the process. What I've come to realise though is that, by contrast, a lot of my "novelty-seeking", in the sense of making frequent additions to my wardrobe, especially if I think back to the time when I was purchasing all my clothes, was actually me just buying broadly the same things over and over, trying to find a version that actually worked for me and my body shape and my colour preferences. Because so much of what I bought didn't fit well, or wasn't really what I wanted, or didn't last very long for some reason, I felt compelled to churn my wardrobe constantly in the hopes that the next thing I bought would work better.

This made me think again about how I dressed when I was a child and teenager: I was always the kind of kid who had a favourite sweater and wore it over and over until it was destroyed. As an adult, I've realised I'm still perfectly happy to wear garments over and over and not churn them at all until they reach the end of their wearable life. I've just never really had the chance to see that in action in my adult life because so little of what I've owned has stood up to any kind of test of time. Now that more of my clothes have the potential to go the distance in terms of longevity, I find I don't miss or want the constant novelty of the churn. I'm not just grudgingly trying to get a lot of wear from things: my ideal wardrobe would genuinely be one where if I were confronted with all the sweaters I own, I could no longer pick a favourite because I loved them all.

Realising I don't want to churn my wardrobe is making me much more concerned about making more timeless styles, using higher quality fabrics, taking more time to sew more accurately, and doing my laundry with a sharper eye towards longevity. Part of the reason I love my current wardrobe so much is that having learnt that, I switched to more expensive natural fabrics, and I'm seeing the benefit of those sewing and laundry efforts in how long my clothes not just last, but look good while they're lasting.

Related to this has been the second change: that I've started to pin down my own personal style.

For the longest time, I would have told you I didn't have a style at all, except that I could exclude a few style types without much thought -- mostly overtly feminine looks, and then also the kind of  athleisure and distressed looks that have been really popular lately. In an effort to develop a description of my personal style that isn't just "I don't know, but not that", over the last couple of years I really dug into the "identify your style" resources I could find, and tried to find the commonalities in looks that I really liked and that, crucially, I liked for me.

A big part of getting a better understanding of how I want to dress has been separating out how much I admire and appreciate how other women look in specific styles and outfits, and then letting it go as "fabulous for her! Not really for me.". (Or the related issue, which is the rarely articulated but often-felt: if I could dress like and look like her, could I have her wonderful-seeming life too? to which the answer is always no, and moreover, probably she doesn't have that life either, not really, not outside the few minutes it took to take that photo and post it to Instagram.)

There's a lot of style related garbage out there on the Internet, but despite the occasional rabbit hole of sheer nonsense, I definitely found a couple of ideas and processes that I thought would help me resolve the problems I have been gnawing on ever since I started sewing: "What is it that I actually want to make? What do I actually want to wear? What is the public image I want to present?".

In the end, the style I have settled on is one that's very understated and classic-oriented, and slightly more masculine than feminine. I've always thought that if I were a man, it would be 100% easier for me to pick out my style and dress that way. I like tailored, streamlined, unfussy (no ruffles or bows or flaps or straps, or extra buttons or logos... you get the idea) clothes. I love plain colours, simple prints (stripes, dots, etc), natural fibres, and I'm fussy about how clothes fit, touch my skin, move around with me, and how long garments are (my pet hate being too-short trousers, ankle-length trend be damned). I don't feel like every single thing I own has to be completely consistent with that description -- it's a preferred aesthetic, not a straight-jacket -- but I  definitely think it's an 80-20 thing: 80% that aesthetic, 20% everything else.

Since I've figured out this slightly more positive answer to the question "what is my style?", I've find myself caring much less about fitting in with arbitrary fashion standards that I have given up trying to understand, and community norms (like everyone in the sewing community being frantic about making dresses) that it would make me unhappy to pursue. I have been focusing instead on making and wearing the best possible versions of the things that I like. This seems like a far more achievable, and much more satisfying, as a way to approach the problem of "what should be in my wardrobe?"

Overall, even though this is the area where I still feel I have the most work to do in building my ideal wardrobe, I feel a lot more confident in my style. However, this came about not, as I once thought would be the case, by making radical changes, or owning many glorious items of clothing, but mostly by deciding that it's OK to like the things I like, and it's OK to dislike the things I dislike. So this new confidence has led me to build a wardrobe I personally like a lot, and be OK with the fact that it doesn't look a lot like what's in the shops or popular on sewing!Instagram.

The third change is that I have a much better handle, after four years of tracking, on exactly what I  wear every single day, and therefore what needs to be in my wardrobe. Not what I think I wear, or wish I wore, or imagine myself wearing, but the actual decisions I make every morning in the moment when I have to get dressed.  Left to myself, data-less, it turned out that I made very faulty assumptions about how much choice I needed (for laundry purposes) and wanted (for personal satisfaction purposes). I am sure for other people both the collection and analysis of data would feel onerous and not be so helpful, but I am a person who thrives on analytics, and at this point, with multiple years of data, it is all really paying off for me in terms of knowing with absolute certainty what I tend to pick to wear, and what stays hanging in my closet except for rare outings.

I do add my subjective experiences to the data: having a bunch of things hanging around that I don't wear much might not bother some people, but it's irritating to me, and I want to avoid it. Not having enough of the things I like to wear because my wardrobe plan had committed me to wearing garment types (dresses!) that I then never voluntarily chose to wear, and only reluctantly took off the hanger because everything else was in the wash, was extremely annoying to me. I worried that I would end up feeling uncomfortably restricted by the changes I made as a result of this data, but in fact, when I stripped my wardrobe back to only the things I really like and want to wear, and made sure I had enough of those things to last a complete laundry cycle and offer me exactly the level of choice I prefer, I loved my wardrobe even more.

For example, one of my personal myths was always that I didn't wear dresses in summer because I couldn't find any that fit, back when I was buying all my clothes. I genuinely love how dresses look on other people. I've always thought that for sure there must be a place for me among all those people looking fantastic in summer dresses, if only I had just the right dress for me. However, I now know, after a few years of experiments, that even with summer dresses available to me that fit and are in colours I like, I won't wear them. I just don't LIKE them on me, and I feel like a pig in a wig wearing one -- it's just not me, I feel uncomfortable and unhappy in them. No amount of effort to make a beautiful dress is going to actually make me reach for it when it's hanging in my wardrobe.

This year, I took out the handful of dresses in my wardrobe and added in some things I was much more likely to wear. I didn't miss the dresses for even a second, and I was much happier with my choices every day. I'm not saying nobody should ever try anything outside their comfort zone, but I do think if you've given it a good try and you are still not into it, you can decide you're done with the experiment. (My mum, meanwhile, thinks it's hilarious I even tried, since apparently I used to throw EPIC tantrums as a toddler when she tried to put me in a dress and never wore one voluntarily as a child or teenager.)

The last change I made recently is that I have, over the last 12-18 months, tightened up the colour palette I wear significantly. To be honest, I have always had pretty entrenched preferences when it comes to colour, but I definitely tried, even quite recently, to expand my colour horizons. Now though I've decided to just embrace the colours I love and avoid the wardrobe dead-ends that resulted from trying to mix in too many others.


Very amateur attempt at a colour palette. Top row neutrals: navy, grey, white. Second row, shades of blue, certain greens, turquoise and teal.

I decided on navy, grey and white as my main neutral colours, and then I wear accent colours that span across all kinds of other shades of blue, plus turquoise/teal and the more blue end of the green spectrum (rather than the more yellow-y shades, which don't suit my colouring). I like really saturated colours, in part because I have moderately high contrast colouring: very pale skin and dark brown hair. Anything pale or pastel tends to look washed-out on me.

The biggest change though is that I've stopped wearing black. I've always worn a huge amount of black, especially black and white combinations, and I came to a dead stop on it over the last 12 months. I did this because I wanted to simplify my overall wardrobe, and adding black into the colour mix really didn't work as well for me as expanding on the grey garments I already had.

I have to be frank: my new colour palette consists of colours I've always loved and that I've always owned in large quantities. I think every "favourite" garment I've ever owned was a variation on a theme of blue, I wore my final chosen colours probably 80% of the time over the last 5 years anyway, and it represented an even higher proportion of my fabric stash. So what might be a really radical decision for some people was actually pretty simple for me. I was most concerned about cutting the black garments out of my wardrobe, but as it has turned out, I have not missed wearing them at all.

On the other hand, I absolutely adore that so much of my wardrobe is no-mental-effort-required mix-and-match. In general, the only things that stop me from being able to match every garment to every other in outfits are mis-matches in proportion (which I am going to work on very hard with my new  work wardrobe, see below) and mixtures of prints, since I generally don't like how that looks.

So that leads up to today: I'm just really happy with where I am with my wardrobe, and I feel like it's all working out really well, but at the same time, I'm really struck by how it's not what I thought it would be when I first started sewing. When I started, I had the idea that somehow, I was going to end up with the wardrobe that I imagined I wanted, the one I thought I would wear if the limitations of buying RTW didn't exist and I had free reign. But I don't at all: I actually have something I like a LOT better, which is not nearly as different from what I had before as I expected, but is like all the good parts of what I used to have, all the time.

I will say that writing like a 6 page discussion document about it makes it sound like I spent a million hours thinking about this stuff, which I... kind of did, I suppose, but not in a weird way, I don't think. There is this whole thing, in creativity research, about  how externalising your thoughts helps to crystallise them, and for me personally, I like to write about things I am thinking about as if I am explaining them to someone else; it makes it more real, forces me to edit down to what I really want to say. Sadly, let me assure you that I am not overwhelmed with people in my real life who want to sit down to listen to my TED talk about how and why I organise my wardrobe. The only place I have for it is here :D

So, all that said, what's next: First, I've been sewing away madly to a plan for a couple of weeks, putting together the pieces of my everyday autumn/winter wardrobe for the rest of the 2019. I'll have all that to show off in about a week or so, though it's on my Instagram in bits and pieces already.

After that, I am moving on to making some entirely new clothes, in preparation for the much-hoped-for day when I am able to re-enter the world of work. I'm starting again nearly from scratch, and I have a whole other TED talk worth  of What I Am Going To Do and Why to share, probably towards the end of the month/October. My first task is to try (emphasis on try: I have money saved for an RTW alternative if it doesn't work out) to make a tailored pinstripe wool suit, and throw myself into learning the kind of tailoring techniques I need for that. It's piece 1 of my work wardrobe plan: a formal suit appropriate for future job interviews, and some suitable shirts/blouses to wear underneath. :D

If you get this far you deserve a prize, thank you for reading! :D

Saturday, 27 April 2019

An update, and the on-going trouser fitting saga

I have been absent from this blog for a while, but I am back, and here to talk about my early summer sewing plans and my continued Troubles With Trousers.

First, a brief recap of what I have done, sewing-wise, since I was last here on 1 January, talking about my exciting plans for the year:




*crickets chirp*




Well, it's not quite a void. I finished one gigantic purple scarf I have been knitting on and off for a couple of years (see below), and I made 1 (one) sewn item: a pair of PJ shorts with a remnant left over from another project and a TNT pattern. This latter took me all of an hour and is so uninteresting even to me that I refuse to consider taking a photo of it. That's really not much for a 4 month period, given that most years I average about 1 completed item per week!
Giant seed stitch wrap in two shades of purple (Purl Soho Worst Twist Seed Stitch Wrap)
Why have I accomplished so little? Partly it's down to the usual reason (ill health). Partly though, I just didn't really need or want any more winter or early spring clothes.  Since this coincided with a total lack of enthusiasm for sewing, I just... didn't sew. I did read 130 books in the same time period (I will typically read about 40 in a four month period) so you can understand where my extra time went.

However, as we come into late spring/summer, I have mustered quite a lot of enthusiasm for getting started sewing again. I have definite gaps in my wardrobe for the coming season, and we have already had some good weather for which I was not entirely well-prepared. (Of course, the Easter weekend having been 25C and sunny, it is now much more April-in-northern-England typical, which is to say: heaving rain, 8C. But the good weather will come back eventually. I hope.)
Trouser plans for spring/summer 2019. Why yes, I am reaching FAR back in my magazine stash to the mid 00s.

My immediate plans include making trousers. Now, if you have been reading a while, you may recall that my previous experiences of trouser making are (a) moderately successful when confined to simple knit trousers and PJs, and (b) otherwise, when it comes to woven trousers, pretty terrible. (See here and here for examples of how well my previous efforts at woven trouser making didn't go.)

However, I am determined to conquer trousers this year!

My mantra for trouser making in 2019 is: good enough is definitely good enough. Yes, there are people who achieve the perfect, wrinkle free trouser fit, but while I can admire their work, I can't start with the expectation of emulating it. When it comes to tops, last year I felt like I made a lot of small, incremental fitting improvements over the year. It didn't always work, but lots of little changes added up to some quite significant improvements in fit. This year I am going to try to do the same with trousers (and skirts, if I should happen to make any), as well as continuing to hone my upper body fitting. One thing that is certain is that I won't get any better at making trousers if I pursue my current path of never making trousers. However, I am prepared for the reality that the first few pairs will not turn out brilliantly. Previously I tended to feel completely paralyzed when things went wrong with trouser fitting, and I am determined not to do that this time.

The Bluprint (Craftsy) class I used to make a pants sloper
Although I haven't been sewing,  I didn't entirely stop thinking about sewing, and one of the things I have been chewing over mentally is how to get started making trousers that fit. Previously, I attempted to use a basic commercial pattern and modify it to fit. I have no doubt this can be a very successful approach for many people, but I didn't seem to learn much from it myself. I decided that my problem was that I didn't really understand how trouser patterns were put together, nor how they are meant to fit. As a result, I spent a lot of time reading my fitting books (I have many), looking at how my existing (mainly RTW) trousers fit me, and looking at how other people resolved fitting problems. In the end, I decided that the way forward was to try drafting my own pattern, as a way to become really familiar with how body measurements and pants patterns match up.

I have to admit that for the most part I have less than zero interest in designing or drafting patterns, so this is a departure for me. To get started, I therefore looked at a couple of options in books, but the texts I found seemed rather inaccessible in writing style, were very expensive, and contained a huge amount of information  about adapting the basic block into various other forms, which does not interest me. However, I also remembered that I previously watched a Craftsy class about drafting skirts led by Suzy Furrer, and enjoyed it. I was very happy to see she had done a trouser drafting class as well. The majority of the class is about the pattern drafting, and she only really briefly considers variations at the end. I highly recommend this class whether you want to draft your own patterns, or if, like me, you just feel like it would help you understand how trouser patterns work. I thought that it was very clear, accessible, and well-presented, and well worth the time and effort.

It's worth knowing what you will get out of the class, and here's a spoiler: it absolutely will not result in a perfectly fitting pair of trousers from the first muslin. Here is my personal muslin #1, in natty blue gingham:

Back view of muslin 1
I never seem to have any major issues with the fit at the front of my trousers, but the back is a different story.  This isn't the worst fit I've ever seen, but it's not good. I've been at this point before, several times, and I can't say that in the past I've ever managed to really improve anything much from this point.

 However, at this point all my reading about fit and my improved understanding of the assumptions that are made when trouser patterns are drafted actually paid off. I did a second muslin and tried to address some of the issues above the knee, and then third muslin where I looked at knee level and lower. This is how the third muslin looks side by side with the first (yes, sorry, my feet are a little bit further away from each other in the second photo, which makes the second photo artificially better, but it's still a reasonable comparison):

Muslin 1 (left) vs, Muslin 3 (right)
I've really learned a LOT from doing these three muslins. Obviously muslin 3 is still not perfect, but I think I have an idea how to resolve the remaining problems. One issue is a product of my "upper leg then lower leg" approach. I did a small knock knee adjustment in muslin 3, but I put it in at knee level because I thought of it as a "lower leg/knee" problem. This is obviously stupid -- if the problem is with my knee, I need to address it ABOVE the knee, not AT the knee. I think when I move the adjustment up, those diagonal lines pointing at the knee will go away. It may also resolve some of the continued inner thigh draglines. I also still have some work to do on the crotch curve.

The most important thing I learned from drafting the pattern myself was that the distance from where I want the waist of trousers to sit to the same point at the back, via the crotch, is much shorter in vertical length and much longer in horizontal length than my self-drafted pattern (or commerical patterns) assumed. As a result, when I make the pattern actually fit me, it works out that the rise of my trousers is quite short, and the crotch points are ultra long. My actual personal pattern therefore looks a bit bonkers. When I made previous attempts at trouser fitting, and even in the initial stages of improving the fit of my self-drafted pattern, I really resisted making those changes to the pattern because I thought it couldn't possibly be right: the pattern just looks so strange in comparison to most commercial patterns. I assumed I must be doing something wrong if I was getting results that varied so wildly from the norm.

This is where the drafting class was super helpful to me, because I was able to put together the problems I was having with fit and the problems I had trying to make sense of the measuring process before I started drafting the pattern. That made it clear to me that the problem was not with my weirdly shaped final pattern, but with the difference between the assumptions about body shape baked into the way the pattern is drawn and the actual body I am trying to fit into the trousers.

For example, at the start of the process you identify where you want your trousers to sit -- at the navel, in my case, because I have a natural "crease" exactly at my navel -- and then you measure down so many inches for the high hip, low hip, crotch level, etc. The class notes suggest if you are tall or petite you may need to adjust this. Well, I am 173cm tall (about 5'8") so I went into it thinking I might need to make a "tall" adjustment. Except as soon as I started measuring, it because clear to me that this was not AT ALL the case. The distance she suggested for an "average" person from waist to low hip was below my crotch line. I ended up taking the measurements as if I were petite. Then my low hip, supposedly the largest measurement, turned out to be smaller than my high hip.

This all explains SO MUCH about my previous experiences with both patterns and RTW, and just this insight alone made it worth my time to do the drafting class. So many pairs of trousers I've owned, and most of those I've made, have ended up either (a) with me having the pull the waistband up to my ribcage in order for it to be seated properly, and/or (b) the waistband rolls over constantly at the waist every time I bend or move and/or, probably worst and most common, (c) the waistband drops to my natural waist and I end up with a saggy butt and my back pockets half way down my thighs.

With all this in mind, I find I am way more comfortable creating a pattern block that looks really quite different from the way I expected it to when I started, if in doing so I eradicate all of those problems. It seems almost miraculous to contemplate: imagine if trousers didn't fit that badly all the time!

My next steps are as follows:

1. Muslin 4: Fix the knock knee problem, work on the crotch curve a little more, and make what is hopefully my final muslin to test it.
2. Transfer the "finished for now" pattern onto something more durable than tissue paper.
3. Make trousers!!

The end of the pattern drafting class moves on to making variations on the basic block for various different types of trousers. I am not at all interested in doing that. What I would like to  be able to do is take my self-drafted basic block, slap it on to a commercial pattern and see what changes I need to make.

I have had a go at this already, with mixed results. Good news: simple patterns in Ottobre and Burda seemed to be a pretty good match from the outset. I'll have to change the crotch curve and the height of the rise is going to be a consistent issue with every company I've checked so far. Overall, though, I think I'd probably be able come up with a common set of adjustments that I'd need with their patterns. It helps that I already know how consistent those two companies are. For the most part my experience with Ottobre and Burda is that you can make yourself a little "routine adjustments" list, and just work through it with any new pattern.

I also compared my block as it stands to a couple of very simple New Look patterns that came in wardrobe patterns (you know the kind: two tops, a jacket, and then a very boring skirt and a very boring pair of trousers as filler) and it was a surprisingly close match. I find New Look patterns a bit blah but it's useful to know.

Of the bad: I have a couple of those Simplicity Amazing Fit trouser patterns and they are just not at all Amazing for me. Whereas it's really obvious to me what size(s) I should use with the other companies, the difference between the Simplicity pattern and my block are so extreme that I can't even work out where to start, size-wise, and the level of changes I would have to make would really mess with things like pocket placement. Probably easier to just not use those patterns, I think!

I haven't had a chance to look at other pattern companies yet, but honestly, if I only had Ottobre and Burda patterns available to me, I'd have patterns enough for the rest of my life.

Barring disaster, I'll hopefully be back again in a much shorter space of time to share successful trousers with you :D

Tuesday, 1 January 2019

2019 Goals + Magazine Challenge

Welcome to 2019! Look away now if you're at all opposed to the idea of goal-setting at the start of a new year -- I'm obviously not, especially when it comes to sewing.

Without further ado, here are my goals for this year:

1. Stick to my 2019 sewing budget. I've actually done a pretty good job of this most years, so really this goal is here just to remind me to stick to my financial discipline for another year. It's not super onerous because I give myself a generous budget, plus I have a substantial gift card for a sewing shop that was given to me for Christmas still to spend.

2. Use the things I already own & keep new acquisitions in check by:

a. Decreasing my garment stash by 50m. Okay, bear with me a second, because I know I've said I'm going to do this a million times already and yet, no, I have never come near achieving it. However, I have good reason to think it will work this year. Basically, this whole time a big chunk of my stash has sat there unused because it's most suitable for clothes for work, not for the chronic-illness-rarely-leave-the-house lifestyle I've been forced to adopt the last several years. This year is the first year I've truly believed there is a realistic chance that at some point in the next 12 months I'll be back at work and living a much more normal life. This presents a wardrobe problem. Right now, if you asked me to produce my work wardrobe, I'd be able show you a few random items that wouldn't even make a single outfit, and also an entire organized, colour-coordinated professional wardrobe... in flat fabric form. The idea is, therefore, that I will not only rebuild my work wardrobe over the next 12 months, but in the process I'll use up a big chunk of my stash that I've bought specifically for that purpose over the last several years. Well, that's the theory, anyway.

b. Using at least 50% of the fabric I buy this year. Hopefully I won't actually need to buy that much this year, but, fellow fabric-aholics, you all know it's not really about need.

c. Reducing the number of unused envelope and PDF patterns I own. As of 1 January, I have used 22% of my paper patterns, and 22% of my PDF patterns. (I may sell some of my paper patterns, if I don't think I'll use them at all.)

3. Look for ways to make incremental improvements in quality, longevity and fit. There is one big "fit" thing I desperately need to work on, and that's fitting trousers. I have a fairly immediate plan for that, though heaven only knows if it will actually work! In general though, I want to keep finessing fit, figuring out how to make things last longer, and where to buy quality fabrics. That's not a proper goal, as it lacks measurements or whatever, but eh, it's my goal list, I do what I want.

I enjoyed the outcome of last year's magazine challenge so much that I feel I absolutely must do it again this year, so:


The Magazine Challenge: Make 12 patterns from any 2019 magazine issue I buy. Includes Burda, Ottobre, anything else I acquire of a similar nature.

Everything else I want to do is really a "keep going" sort of thing: an intention for the year rather than a measurable goal. I want to keep on working out what my personal style is and how I want to dress; keep tracking what I wear and what I discard and why; keep working on improving my technical skills in sewing; keep enjoying the process of making things; keep participating in the online sewing community as best I can; just keep doing all the things that have made sewing one of the most enjoyable and fulfilling hobbies I have ever had (it's never going the be THE most, as nothing will ever surpass my love of reading!)


I want to put together some images and whatnot of what I want to make in the immediate future, so I'll be back with that in a few days time. In the meantime, I'm off to read everyone else's end of year/start of year posts. :D